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✍ T.C. Chiu

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T. C. Chiu was born in China and developed an interest in art when he was a young child. He began his art studies in China and continued when he came to America in 1974. His delicate work is the combination of the essential qualities of traditional realism and contemporary painting techniques.
Accomplished in a wide range of media, he incessantly challenges his mastery of watercolor, oil and printmaking. Many subjects inspire the widely traveled artist. Pre-eminent among them is an abiding reverence for the peace and beauty of the world of nature that is reflected in his painting.
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✍ William Shakespeare ~ Aforismi...

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Ford Madox Brown - Romeo and Juliet
  • Che peccato che ai matti non sia permesso di parlare saggio di ciò che i saggi fanno pazzamente!
  • La bellezza tenta i ladri più dell'oro.
  • Io considero il mondo per quello che è: un palcoscenico dove ognuno deve recitare la sua parte.
  • Tutto il mondo è un teatro e tutti gli uomini e le donne non sono che attori: essi hanno le loro uscite e le loro entrate; e una stessa persona, nella sua vita, rappresenta diverse parti…
  • Ti dimentichi forse che son donna? Devo dir quel che penso.
  • Gli uomini sono morti in ogni tempo, e i vermi se li sono mangiati, ma non per amore.
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    ✍ Ford Madox Brown

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    The Last of England - City Art Gallery, Birmingham, 1855
    The Last of England - City Art Gallery, Birmingham, 1855

    British painter Ford Madox Brown [1821-1893] -Pre-Raphaelite movement-, was born at Calais and trained at Antwerp, in Paris and at Rome, where he came into contact with the Nazarenes. Settling in England in 1846, he became a friend of the Pre-Raphaelites and, with his taste for literary subjects and meticulous handling, an influence on their work, though he was never a member of the Brotherhood. Rossetti studied briefly with him in 1848 and Brown's Chaucer at the Court of Edward III (Art Gallery of New South Wales, Sydney, 1851) contains portraits of several of the Brotherhood.
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    ✍ Leslie Allen

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    Leslie Allen is an American painter, known for working in the Figurative style. "Married 35 years and have two amazing children. Best of all I have 4 wonderful grand kids. I love to paint it is very rewarding. I have developed so many wonderful friendships through my art and I feel truly blessed. I have always had a passion for art and nature. I love starting with a blank canvas and making it come to life with paint.
    I paint for a living so each piece I try and make special and hope it touch's someones heart. My work is inspired by people, nature, and emotion.
    I am so thankful to have passion for art and having this wonderful world of art to escape to. I hope my artwork always reflects my passion for art and each piece you look at leaves you with a wonderful feeling. Its an amazing feeling knowing over a 1000 of my paintings and prints are hanging in lodges, cabins, estates, homes, all over the world".
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    ✍ Arturo Samaniego

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    American painter Arturo Samaniego living and working in Naples, Florida. After years of figurative and portrait work, Samaniego has developed a style and a set of themes that suit his interest, and allow him to flex his creative muscles. Over the last few years his subject matter has become what he calls “contemporary still life”. The artist explains, “I am always inspired and challenged by the representational tradition of realism in oil painting, and I am equally intrigued by the energy and freedom of contemporary art.
    For this reason, my still lifes employ a careful execution in a realistic style, and also combine contemporary compositional elements, such as close-ups, sparse setups, clean lines, and the like
    ”.
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    Ben Fenske, 1978

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    American painter Ben Fenske was born in Minnesota. He first studied painting and drawing in Minneapolis with Peter Bougie and Joseph Paquet and later in Italy at The Florence Academy of Art.
    He is an avid portrait and landscape painter working in New York and Italy. Ben Fenske’s career and work have evolved greatly since our last catalogue in 2009. The promise of years passed has come to fruition, as fleeting sketches have become fully finished large canvases. Fenske's work has become richer, more colorful, and most importantly, the compositions have become more resolved. As you can see by the interiors, landscapes and figurative paintings, Fenske continues to be inspired by the world that he inhabits.
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    Amy Brown, 1972 | Faeries

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    American painter Amy Brown, born in Bellingham, Washington, is a popular Fantasy and Fairy artist. Her career began in the 1990s, and today her watercolor designs appear on t-shirts, calendars, and buttons and people have been using her images for tattoos. Two books of her artwork have been published, The Art of Amy Brown and The Art of Amy Brown II.
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    Elie Anatole Pavil ~ Paris de la Belle Époque

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    Ukrainian-born French painter Elie Anatole Pavil [1873-1948] came to Paris in 1892. He established himself in Montmartre, on the Rue Caulaincourt.
    He had arrived at the high point of La Belle Époque; Pavil dedicated himself to capturing its atmosphere on canvas. For most of the next fifty years he painted the cafes, the beautiful women, the jazz bands and artist ateliers of Paris. His paintings show an intimate knowledge of the inhabitants of the streets and alley’s of Montmartre. Elegant couples dancing, beautiful models posing, working men finishing their day with a drink at the bar, all were captured in Pavil’s carefully balanced compositions, many of which show the distinct the influence of Degas and Renoir.
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    Beatrice Bissara, 1972 ~ Parfum d'Orient

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    Beatrice Bissara is a painter and sculptor native to Paris, France; her childhood is deluded by the visit museums and environment the rooms with auction. Bissara attended the Université Paris Sorbonne, the Université Panthéon Sorbonne and Université Paris Dauphine, also gaining Old Painting expertise at Sotheby’s. She works in the realms of figurative art: portraits, nudes, animals and genre painting. After studies in history of art, archaeology and courses at the school of Louvre, it is truly after its maternity that Béatrice launches out in an artistic career in term of realization and creation. Young artist, Béatrice Bissara offers to us, with her sculptures impressed of sensualities her search of the beauty, the balance and the harmony of the bodies, the faces and the hearts. Its naked female allures by their traditional beauty and harmonious softness their forms. In a figurative inspiration, the artist gives to see her perception of the human condition.
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    ✍ Leonardo da Vinci ~ Differenza che ha la pittura con la poesia

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       Trattato della Pittura - Parte prima /16

    La pittura è una poesia che si vede e non si sente, e la poesia è una pittura che si sente e non si vede. Adunque queste due poesie, o vuoi dire due pitture, hanno scambiati i sensi, per i quali esse dovrebbero penetrare all'intelletto. Perché se l'una e l'altra è pittura, devono passare al senso comune per il senso più nobile, cioè l'occhio; e se l'una e l'altra è poesia, esse hanno a passare per il senso meno nobile, cioè l'udito.
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    Amy Brown ~ Fantasy Art

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    Amy Brown - American painter - 'I have been painting faeries since 1992, no formal art training, am older than I look, married with 2 children, hate to cook, like to stay at home, do not like attention, can't stop buying clothing, don't like coffee because I think it tastes icky and even small amounts make my skin feel like its going to vibrate off my bones, and usually get up before the sun. Tools of the Trade: Daniel Smith Extra Fine Watercolors, Arches Bright White 300lb hot press watercolor paper, Pigma Micron ink pens, PITT Artist Pens, Prismacolor colored pencils, Winsor and Newton Gouache, Daniel Smith Series 23 watercolor brushes, table salt, isopropyl alcohol, mechanical pencil'.
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    Dizionario dei Modi di Dire

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    A babbo morto
    Il significato iniziale è di restituire dei soldi senza una data precisa, poi ha assunto altri significati, spiegati nella voce.
    Abbassare la cresta
    È il gesto con cui i galli, prima o dopo un combattimento, riconoscono la superiorità dell'avversario. Dal mondo contadino l'espressione ci è arrivata con il senso di "calare le proprie pretese", "riconoscere la propria inferiorità" o anche solo "far (di) meno l'arrogante / non fare tanto l'arrogante".
    A bizzeffe
    In grande abbondanza. Questa frase ha diversi sinonimi.
    A bocca asciutta
    Senza il bottino che si prevedeva di ottenere. Restare a bocca asciutta.
    A bocce ferme / A palle ferme
    Come nel gioco delle bocce la distanza dal pallino e di conseguenza i punti si assegnano solo a bocce ferme appunto, in certe situazioni è bene attendere che gli eventi in corso siano terminati per procedere ad una valutazione o ad un'ulteriore azione.
    A botta calda
    Nell'immediatezza dell'accadimento.
    A braccia aperte
    In modo accogliente ed affettuoso.
    A braccio
    "Pressappoco" intendendo qualcosa misurato a braccio invece che con il metro. Simile all'espressione "a spanne". Un discorso a braccio, è un discorso non scritto, non preparato.
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    ✍ Pablo Neruda & Felice Casorati ~ Corpo di donna...

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    Felice Casorati 1883-1963
    Corpo di donna, bianche colline, cosce bianche,
    assomigli al mondo nel tuo gesto di abbandono.
    Il mio corpo di rude contadino ti scava
    e fa scaturire il figlio dal fondo della terra.

    Fui solo come un tunnel. Da me fuggivano gli uccelli
    e in me irrompeva la notte con la sua potente invasione.
    Per sopravvivere a me stesso ti forgiai come un'arma,
    come freccia al mio arco, come pietra per la mia fionda.
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    Art history ~ Sitemap /Mappa del sito

    Amy Brown


    David Hettinger, 1946

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    American painter David Hettinger began drawing around the age of 8. His subjects were T.V. and movie cowboys. At age 13 he was given a set of oil paints by Mike Spencer, a local artist who ran the barber shop across from St. Joe's School where Hettinger was a student. Formal art training began at the American Academy of Art in Chicago under Joseph vanden Brouck. Under Mr. Van, as he was called, Hettinger learned classical realism and the techniques of the Flemish, Dutch and Spanish Masters. After four years at the academy, Hettinger moved to New York City where he studied with David Leffel and Richard Schmid.
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    Dan Thompson

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    American painter Dan Thompson was born in Alexandria, Virginia, and graduated from the Corcoran School of Art in Washington, DC.  He earned his MFA from the Graduate School of Figurative Art of the New York Academy of Art, and supplemented his training with several additional years of private study and studio apprenticeships along the east coast of the United States.
    He has been awarded two grants from the Elizabeth Greenshields Foundation and has twice received the Ethel Lorraine Bernstein Memorial Award for Excellence in Painting from the Corcoran College of Art and Design.  In 2001, Thompson won Best of Show in the American Society of Portrait Artist’s International Portrait Competition at the Metropolitan Museum of Art in New York.
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    Frédéric Dufoor, 1943

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    Born in Tournai, Belgian painter Frédéric Dufoor attended the Institute of Saint-Luc in Tournai and also the Academy of Mons. After a brief Bohemian interlude, he was enrolled with the studio of Louis Van Lint, at Saint-Luc in Brussels. In 1967, he went on to teach at the Superior Institute for Graphic Communications for 10 years, then held the post of professor at Saint-Luc in Brussels until December 1998. Initially, briefly influenced by his professors, he developed his art as an aesthetic one, spare, to the limits of abstraction.
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    Christa Kieffer

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    German painter Christa Kieffer was born in Tubingen, Germany. As a child, her earliest memories are of “soaking up the atmosphere of a particular place or region”. An intuitive kindergarten teacher recognized Kieffer’s potential and provided her with a quiet place to draw and paint. The artist studied extensively throughout Europe then moved to the United States to attend the Art Center College of Design in Los Angeles.
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    Guy Wiggins ~ American Impressionist painter

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    Guy Carleton Wiggins [1883-1962], the noted AmericanImpressionist and one of the foremost artists affiliated with the art colony at Old Lyme, Connecticut, was born in Brooklyn, New York, in 1883. He was the son of Carleton Wiggins, a prominent painter associated with the American Barbizon School. He spent the early years of his life in England where he received a grammar school education and traveled throughout Europe. Following in his father's footsteps, Wiggins became interested in painting and drawing during his boyhood.
    His creative and technical abilities were acknowledged at the age of eight, when various New York critics publicly praised a group of watercolors he had done in France and Holland. He received his first serious training in architectural draughtsmanship when he studied architecture at the Brooklyn Polytechnic Institute around 1900. However his artistic inclination proved stronger and he went on to enroll at the National Academy of Design in New York where his teachers included William Merritt Chase and Robert Henri. Recognition and critical acclaim soon followed. By the age of twenty, one of Wiggins' works had been purchased for the Permanent Collection of the Metropolitan Museum of Art.
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